TANGO, MILONGA, VALS
source :
http://www.nhtango.org/content/dancing_ba.html (copyright John Gleeson)First, a little bit of
history.
Although the origins of the Tango are somewhat
obscure due to the passage of time, the Tango is believed to have originated in
the "Milonga". The original Milonga was a local Argentine dance which itself
evolved from a mix of the Cuban Habanera and the Polka, sometime in the
mid-1800s (in the city where it was popular with the
Compadritos the
Milonga was sometimes referred to as the
"poor man's habanera").
The steps of this original Milonga are no longer known in detail; however it is
believed that around 1870-1880 the dance was then modified by inclusion of
several elements of an african-argentine dance called the "Candombe". This later
form of the Milonga is considered to be the embryonic form of the Tango before
the new dance was given it's name.
Because of this association a dance event in Buenos Aires is not actually called
a Tango Dance, but a "Milonga".
What is danced at a
"Milonga"? Is it only Tangos?
There are three dances danced at a "Milonga".
Predominantly, the Tango, of course, and two other dances; the Vals (Argentine
Waltz) and the Milonga, which is still very popular.
Valses are similar in tempo to the Viennese Waltz, although danced in slow time
(i.e basically one step per measure). The Vals does not have it's own set of
steps/figures; Tango steps (adapted to fit the rhythm, of course) are danced.
The Milonga has it's own unique steps and is a very lively dance, usually played
at somewhat faster tempos than Tangos, although there are some wonderful slow
milongas by the great Francisco Canaro. However, many people will dance basic
Tango steps/figures, particularly if they don't know the Milonga steps - nobody
has to sit out a dance if they don't want to!
The "structure" of a Milonga.
The typical structure of a Milonga begins with a
set ("Tanda") of four Tangos, all by the same orchestra in order to evoke a
particular mood/feeling. Then another four Tangos by a different orchestra.
These might then be followed by a set of Milongas. Then two more sets of Tangos
followed by a set of Valses.
In between each set is a brief snatch of some typically incomprehensible music
as a signal that the set has ended ("Cortina"). The dancers return to their
seats/tables, and look around for a new partner for the next tanda.
This cycle (eight tangos, milonga set, eight tangos, vals set) repeats itself
through the night, with the occasional small variation. However, maybe half-way
through the evening, many clubs will play a Latin set (Merengue, Salsa, Cumbia,
etc) or a Swing Set. These "changes of pace" are very popular and people really
enjoy dancing them. But, of course, the first and foremost dance is the Tango -
this is the reason for being there.
Between each number within a set, people customarily do not begin dancing
immediately at the start of a new number; they usually wait for a few seconds,
talking; then several couples will take up dance position and everybody begins
to dance. It is considered rude to begin to dance as soon as the new number
begins - it is also often difficult since everybody else will be remaining in
place for the next few seconds!
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